Issue #169

‘I saw you at the Royal Albert Hall on the second night. The concert of my life. So intense. So emotionally demanding. Such a deeply beautiful concert. My question is ...’

Issue #168

‘‘Lavender Fields’, how did you compose such a beautifully deep, sad and uplifting song with this simple metaphor?’

Issue #167

‘I read a quote in a magazine recently from Susie. I thought it was interesting. “To be honest, I find the word muse to be a little demeaning. I haven’...’

Issue #166

‘Happy Red Hand File Anniversary! Three Years! How time flies when you are answering multiple questions at once. Keep on dispatching!’

Issue #165

‘Did you know about the forthcoming album The Flaming Lips made with a 13-year old fan of theirs on vocals, consisting of covers of your songs, and what do you ...’

Issue #164

‘Do you work out before you go on tour?’

Issue #163

‘What is your favourite bar and can we have a drink there?’

Issue #162

‘Can you tell us anything about the late, great Hal Willner? I know you have worked with him.’

Issue #161

‘Do you ever stop working? Do you and Susie ever just go on a holiday?’

Issue #160

‘Nick. Am Scottish. Am no very well with the alcohol. Rehab soon. 29/7. Please. Nick. I saw you in Prospect Park NY many years ago. Am so scared. I’m not ...’

Issue #159

‘I’ve always felt some sort of relation between you and Nick Drake. If you haven’t heard of him he was an artist from England who wrote only about 60 ...’

Issue #158

‘Not a question but just thank you for actually loving my favourite female poet, Stevie Smith (issue #157). ‘Oblivion’ has always been my story.’

Issue #157

‘As a quite handsome man, ‘from a certain angle and in a certain light’, how did you pull Mrs Cave?’

Issue #156

‘I’ve always had an affinity for songwriters who put a lot of craft into their songs like they’re building a wooden table, everything is where it should be. ...’

Issue #155

‘I heard your song, Carnage. Such a beautiful song. Such a beautiful, sad song. Many years I haven’t heard such a beautiful, sad song.’

Issue #154

‘In a Rolling Stone interview I read you said “They should stop reading Bukowski, and they should stop listening to people who tell them to read Bukowski” and also there ...’

Issue #153

‘I’m struggling a bit with the fact I’m turning 40 in a week. Some people say “You’re in the brightest part of your life”, others say you are ...’

Issue #152

‘Could you share a photo of Nosferatu with us?’

Issue #151

‘I’m writing to you on behalf of my Aunt Marnie as she can’t. She’s consumed by grief. She lost her only child, Tristan, to a stroke, aged 49. ...’

Issue #150

‘How to find yourself again when you feel like you have strayed so far from who you used to be?’

Issue #149

‘Should we separate the artist from the art?’

Issue #148

‘Dear Nick,

Thank you for sending her to me! I must say, it was a bit awkward at first; establishing a relationship with this new being of a ...’

Issue #147

‘My question is about how you perceive the utility of suffering. What is the value of suffering to us as individuals, and to us as a species as we go ...’

Issue #146

‘What can you tell us about Anita?’

Issue #145

‘I’ve decided to embrace the glimpses of grey that have appeared in my hair in lockdown and stop getting it coloured. Have you been tempted to let your crowning ...’

Issue #144

‘This is a spontaneous question: Is it you, that stepped into the vortex just 10 minutes ago? It’s a non-official account and my guess is, someone is cheating on us. ...’

Issue #143

‘Dear Mr Cave,

Do you ever suffer from self-doubt?

A girl was falling in love with me, and while she courted me, she shared a part ...’

Issue #142

‘I am reading Camille Paglia’s ‘Break, Burn, Blow’ and I find it interesting that all of the “43 of the World’s Best Poems” contained therein are written in English ...’

Issue #141

‘You mentioned in Issue #140 that you have been writing poems. Can you send us one?’

Issue #140

‘CARNAGE is incredible. I saw Warren say the songs came together over two and a half days. How does that feel? To be working at that level of intensity with ...’